Archived posting to the Leica Users Group, 2006/11/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]On Nov 30, 2006, Jon Stanton wrote: > Bob, > Re: Dylan's pitch.... Back in the 60's/70's there was a woman > (Rosemary Bailey) that played organ in the lobby of First Federal > (Madison & Dearborn) She had absolute pitch...meaning she could > tell you the overtones of a fingernail scratching a blackboard. > Rosemary said she would get headaches at CSO concerts...the > Concertmaster did not possess perfect pitch.... > > Case Knives: My Dad was an Electrical Engineer and Ham Radio > operator...He had a few knives which fit your description...I think > he called it an "Electricians" modification. > > 60's Bands: Baby Huey & the Baby Sitters, The Flock, New Colony > Six. Although back then I split my time between "The Earl" of Old > Towne...folk music venue and the numerous jazz clubs on Rush & > Wells St's. There of course was the London House but I could never > afford the cover. I was lucky as an underager to be able to sneak > into most the clubs... > > Jon > > Oh yeh! Another band was "Phil and the Blanks" Jon - Well!! One stop shopping for much-appreciated info. Perhaps my self- imposed ban for all these years on non-photo-related postings wasn't such a good idea. I confess to also having absolute pitch, although I don't share (with others who have this acuity) a blanket intolerance to performers who use a more interpretive pitch palette. And thanks for your confirmation of this apparently widely practiced knife mod. I really liked the Flock in the early seventies; later when I moved to Chicago I worked with their violinist Jerry Goodman (also of Mahavishnu Orchestra infamy) on a thing or two. Bob Palmieri