Archived posting to the Leica Users Group, 2006/11/18

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Subject: [Leica] The Negative
From: afterswift at aol.com (afterswift@aol.com)
Date: Sat Nov 18 16:30:57 2006
References: <200611182235.kAIMWDwt061484@server1.waverley.reid.org>

 Hi Everyone,
 
 There's been a lot of handwringing -- or exultation -- over the retreat of 
film format cameras on the list. I think we're overlooking one of the 
foundational aspects of photography since the negative was invented. That 
is, the negative itself. For all practical purposes not even a digital FF 
ultimate Leica M-TK can produce a true negative.
 
 Why is the negative so important? Because it's the permanent die of a 
photographic image. Sure, I love to use my two fine digital cameras, but 
when the subject assumes the importance of a historical document -- in 
whatever field -- I switch to film. That's a personal decision. 
 
 Related to the negative is its access by direct optical means. Since the 
advent of digital I must admit that I produce very few prints. But I do 
print my new negatives either the darkroom way or via my good old HP 720 
printer from a Kodak CD. That's a double backup, ladies and gentlemen. 
 
 I hope we won't be singing dirges about the passing of Leica M-7s 
Rolleiflexes, Hassels, etc. I don't think they're headed toward the Eastman 
Museum in Rochester.
 Many of us will march behind the Silver flag into the future. Just one 
man's opinion.
 
 Best,
 Bob
 
    
 
   
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Replies: Reply from firkin at ncable.net.au (Alastair Firkin) ([Leica] Yet more)
Reply from michiel.fokkema at wanadoo.nl (Michiel Fokkema) ([Leica] The Negative)