Archived posting to the Leica Users Group, 2006/09/20
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Sounds like the old Kodak "ring around" exercise for ideal exposure and development. Anytime you change a variable you're supposed to do the exercise, again. And I thought it was a way for Kodak to sell more film. :-) -----Original Message----- From: Lottermoser George [mailto:imagist3@mac.com] Sent: Wednesday, September 20, 2006 10:11 AM To: Leica Users Group Subject: Re: [Leica] Re: the dynamic range of digital And this is the bottom line, isn't it, your working methods give you the results you seek. As far as dynamic range, loss of information, etc. All this can be easily tested for those with an inclination to spend their time in that way. And it's far easier and cheaper to test with digital than with film. Set up a white card with strong texture. Fill the frame with it. Make a series of exposures from burning it out to dead black. There's your range of stops - right? When out in the field - if that range is exceeded by conditions you've got to choose to either loose highlights or shadows beyond the range. In the case of digital I'll save the highlights every time - because I always find stuff in the shadows I wouldn't have expected (ok almost always). Regards, George Lottermoser george@imagist.com On Sep 19, 2006, at 8:19 PM, Douglas Herr wrote: > In my experience with the DMR, setting exposure comp to -.5 or -1 > sacrifices very little deep shadow detail if any.