Archived posting to the Leica Users Group, 2006/04/28
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Very good points indeed. And tempting as well. Doing the 4x5 thing wouldn't be too big a deal, this semester was Photo II, or as I like to call it, a semester of zone, zone, and more zone that I shot with a Sinar F. The big hurdle would be snagging equipment in time, as lugging the Sinar around trying to get the rights shots might be a bit difficult. It would take everybody seriously off guard though, which really I think is what I'm trying to do more than anything else. Bad habit of mine... Gerald On Apr 27, 2006, at 6:04 PM, Lawrence Zeitlin wrote: > > Gerald, > > There is a qualitatively different look about pictures shot with > 1930s to 1950s era press equipment and pictures shot with modern 35 > mm and digital cameras. Many of these differences derive from the > differences inherent in the equipment. A Speed Graphic with an > attached flash gun weighs four to five pounds. Operation with sheet > film holders is quite slow. Most photograpers used only one lens, > usually a F4.5 127 mm Graphtar, Wollensack, or Ektar. This was a > comparatively wide angle lens, roughly equivalent to a 35 mm lens > on a Leica. Cropping was usually done in the darkroom, the large > negative size permitting considerable freedom in composition. > Photographers usually carried only six film holders on an > assignment. As a result shots were often set up in advance. > Photographers jockeyed for position at public events and fired off > one or, at most, two shots. Flash bulbs were used, even in > daylight, to make sure we got a picture. You don't need 36 > exposures and a motordrive if you plan carefully. Pictures were > developed to a relatively high degree of contrast to provide > "punch" when printed on newsprint with a 65 screen halftone > pattern. That's not to say that the old equipment was incapable of > high quality results. Press cameras were, after all, modified field > cameras and some mighty fine pictorial images were taken with the > same equipment. > > What I have said was largely true of US newspapers. Editors had a > low tolerance for the fuzzy, low key, available light photos taken > by European photographers with their Leicas and Contaxes. Life > magazine photographers took the middle ground with Rolleis. Bigger > film, sharper results, more flash. I was almost fired from my paper > for daring to use a Kodak Medalist with its 6x9 frame size because > my editor felt that it was too small to get good results. > > So if you really want to give your students a taste of old time > photojournalism, dust off that old Graphic and buy a box of sheef > film. You can develop the film in trays in D-72 paper developer. It > certainly will be an educational experience. > > Larry Z