Archived posting to the Leica Users Group, 2006/03/27
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Ted Grant wrote: > In the kind of near available darkness photography some of us do on occasion > and your explanation of aberrations, which until your comments, I had no > idea such things existed. Nor can I honestly say I've seen anything that > would make me think there was such things as "aberrations" in the lens. > After your explanation I have no doubt they exist, but if one doesn't know > about it as in my case, are they so visible I should've seen something in > the prints that would've triggered some concern? > . . .It's that damn one little seed of doubt! :-( Ted: Worry not. My desk dictionary defines aberrations as "the failure of a mirror, refracting surface or lens to produce exact point-to-point correspondence between an object and its image. Remember what your idol Eisie said (paraphrased) when asked how he tests his lenses: "When I buy a lens, I use it. If I don't like it, I sell it." There is more to photography than "exact point-to-point correspondence between an object and its image." Much of what you know of as the "look" of a Noct is created by these aberrations--that dreamy rendering, especially off-center. With the Noct, you get a bit higher instance of some aberrations, but you also get an f/1 aperture and very little flare. Those two things are a lot more important when the lights are low. So if you want perfection from a technical standpoint, don't use the Noct. If you want to keep getting the kind of available light pictures that have served you so well, just keep on using the Noct. Especially since yours has those specially bovine-enhanced organic coatings for greater flare control :-) --Peter