Archived posting to the Leica Users Group, 2005/08/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Steve Unsworth said: Subject: RE: [Leica] Canon Introduces 2 new digital SLRs NOW SCREENS > Ted > > I too have a 20D. The only R lenses that I have are 50mm, 180mm, and > 250mm. I find that the longer the lens the easier it is to focus.<<<< Hi Steve, No question, as I shoot with the 280 & 400 and I also use the 2X extender on the 400 to make an 800mm off tripod or monopod. And if I want a hand holdable 800 I use the 1.4 & 2X extenders with the 280, wide open it makes an f8.0 800mm! And works quite nicely, on the 20D. That's why I like the 80-200 on the 20D. It's easy to handle as I use it at f4.0 most of the time due to it's wide open separation effect where it's sharp, it pops sharp with excellent in-out of focus areas. >One advantage of the new 5D is that the focussing screen is user changeable >there are split screen finders available for the 20D, but they seem very >fiddly to >install.<<< Well I've never been one for fiddling inside cameras and changing screens. I tried it once with an R7 and it just freaked me out that I'd screw something up and then have to pay a fortune for repair or replacement. So screen changing is out for me unless a qualified fixer person knows how to do it. Just call me "chicken!" ;-) >Perhaps one of the alternative 5D screens would make focussing easier at >the >wide end.<<<<< I always use my wide angle focusing trick to make focussing easier with SLR wide lenses and super wide glass. Very easy.. before you put the camera to your eye turn the lens to it's closest focus point, then look in the view finder, things are absolutely totally out! Like way out! :-) Start your focus action from that point, in other words from close toward infinity. What happens is because the subject is so wildly out of focus your eye will read the in-focus area much easier as it comes to sharpest point. Rather than starting with the lens at infinity and turning from there with everything in focus and trying to find the point you want in focus. Works like a dream "doing it my way." ;-) I've used it for years with all my wides and super wides. Obviously only on the SLR cameras. The only wide I don't bother focusing is the new Canon 20D, 10 - 22 auto-focus lens. It's incredible for sharp crisp detail. I'd put it up against any of my Leica wide glass any day. Not that I do that kind of lens fiddling simply because there's so many variables to deal with, and generally it proves little in the end quality and value of the photograph. I mean when you shoot with it and sand grains on a Mexican beach stand out individually sharp with the tiny bubbles of wave froth twinkling in the sunlight, why waste time fiddling around doing tests? Unless of course one is paid to do that kind of thing. ;-) My feelings have always been..."Shoot the pictures!" If you like what you see, then the lens is great! :-) However I do know some folks like doing that kind of thing, good on them, to each his own. Me? I'm a photographer and that means I take pictures as much as I can with the least amount of fiddling. :-) Better still when the client thinks you've been shooting with your Leica glass and makes a comment "Boy those Leica lenses you use are incredible!" Only because they know I'm a Leica shooter I'm sure. ;-) However, you sure as hell don't tell them that it isn't a Leica shot! Until you have their cheque in the bank, Then you can elaborate. :-) You know Leicanon whatever. ;-) Bottom line is always keep the guy who pays the bill happy, even if you use coke bottle bottoms for a lens. :-) ted