Archived posting to the Leica Users Group, 2005/06/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]On Jun 22, 2005, at 6:28 PM, Afterswift@aol.com wrote: > Re traditional darkroom, has anyone had experience using the Spiratone > Processor, a machine that mass produced RC prints up to about 11x16? I never used the Spiratone, but through the '80s and early '90s I used an Agfa Rapidoprint processor (up to 16, or maybe 18 inches wide). It had four stages, originally activator, stabilizer, fix, and rinse. I had the recirculating rinse converted to running water as soon as I got it (even with a regulator, we occasionally flooded the floor when the pressure varied too much), and somewhere along the line I started using acetic acid stop instead of stabilizer. The plastic started to crack about '92 or so, and I finally gave up on it, but I still have some of the prints. I did sometimes do an extra fix and wash on important ones. It was a valuable machine for a jack-of-all-trades in-house photographer in a biotech company. Besides any developer-incorporated paper, it would process Agfa's high-contrast paper (I don't recall its name) for line work, and an Agfa graphic arts film (RA711p?) that was available from 35mm to large sheets. The 35mm was great for quick white on black slides, or for the intermediate step in making the white on blue slides that were so popular back then. Speaking of Spiratone, I wish they were still around. No one offers such a wonderful collection of gadgets today. Some of them were silly (the right angle lens attachments for taking pictures of girls on the beach--at least that's what the little drawing in the catalog always showed), but I used their darkroom timers for years, and I still have their macro focussing rail. --Eric Ladner