Archived posting to the Leica Users Group, 2005/05/27
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Just last night a photo-newbie buddy of mine was lamenting the poor compositions of his photos, almost all taken with a zoom. After shooting a digi P&S for a year or so, he also picked up a nice old used FE2 and a few Nikkor primes a few months ago. My first counsel to him was to stick either his 50mm or 28mm on the camera and to just "see that way" for some months. I know this will help him, even if others ardently disagree :-) As for me, after buying and thumbing through a few photo volumes on composition, I am currently seeking a book on classic composition in portrait and landscape painting. The photo oriented books I have are nice, but in retrospect they are a fairly thin chant "shape, line, texture, geometry, light..." and what not. Scott Feli wrote: > > > > I believe the switch to zoom lenses had a huge impact on the way shots > are composed. > Shooting strictly with a 50 or 35, makes you see the world in a very > different way. > > The abandonment of the traditional canons of art in schools affected > composition. >