Archived posting to the Leica Users Group, 2005/02/23
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Thanks Mark, good to hear from you. We have to support Leica people with constructive ideas. Maybe even more importantly, we have to show that we as a (small) part of Leica's niche, are faithful to the company's philosophy and product quality. Leica needs financial partners to get out of their crisis, and I feel that potential financial partners may well cast an eye of what is said inside the users' community to have an idea of whether leica's sales are more likely to fall to zero or if there is a real motivated users community which will remain the "strong kernel" of Leica's market. To say it in another way, we are one of the visible faces of the leica users' community, and have to show we are actual (not former) leica users, even if not exclusively. Personnally I have observed, in 35 years of photography, a huge improvement of the quality of my pictures since I shifted first to a CLE in 1990 then to my first Leica (M2) in 1996 and M6 in 2002. As a non-professional photographer, about 40% of my picture production (40 - 50 rolls / year) is for documentary purposes (documenting early musical instruments), the rest is family events, concerts/theatre, travel, mountain. I am not ready to trade my Leica system for anything heavier/bigger or anything subject to battery failure (mountain is cold and no battery shops there). I am not ready to trade it for lesser image quality. Digital or not digital is not a serious issue for me, as long as the resulting camera fulfils my needs in image quality, weight and reliability. That's it. Price won't make any difference as the main part of the cost is making prints, and is about the same when using a digital or a chemical sensor. None of the equipment available today is as well adapted to my own needs as the Leicas. An Xpan would be a nice alternative but the format is not my cup of tea. The Bessa is way too noisy and unrefined, but a low cost, great prelude to real leicaing (just like the CLE was for me). If I was a _good_ design engineer and had to devise from scratch a new camera for my own use, it would certainly be very, very close to a MP, or a M-mount IIIg. Not an overengineered thing just to show my social status (like those who use a Porsche Cayenne for commuting) but a simple, extremely simple and extremely high quality camera, not aiming at camera performance (who cares?) but at utmost picture quality. In other terms, a MP or a M6. This users' niche EXISTS and if we don't want to be doomed to use worn-out, binged, unreliable and exhausted cameras in 10 or 20 years from now WE NEED THAT LEICA SURVIVES and have to show it, using any form of expression, rather than criticising leica for not making cameras just like other makes. Leica must keep their specificity: if they were making Canon copies, I would certainly buy an original Canon rather than an expensive copy. Canons are very good cameras, perfectly fitted to many users, but for my own use Leicas are the best, by far. Again, film vs. digital is not an issue, it is the result that counts. To get good results I need: quiet, vibrationless, compact body with accurate RF, and high quality distorsion-free optics with a choice of compact or high aperture glass and some very wide angles. I can't see anything close to the Leicas except some of the CV lenses. Jean -- ------------------------------------------------------------ Dr Jean Louchet COMPLEX Project INRIA Rocquencourt BP105 78153 Le Chesnay cedex, France Jean.Louchet<at>inria.fr http://fractales.inria.fr/~louchet mobile: +33 6 7347 7707 ------------------------------------------------------------