Archived posting to the Leica Users Group, 2005/02/19
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hey, you're not alone! Some people are still shooting film and will continue doing so. Some pro's are even coming back to film (at least for 60% of their work, for the 2 PJs I talked to and who went the 100% digital route in the beginning). Others don't feel like going digital at all (4 people I know of, but they do have a digital P&S). And those are Canon or Nikon shooters NOT Leica users. As to the "clients asking for digital, or else..." thing, in another thread: Now guys, I don't know of any serious client who will hire a photographer, because he/she has gone the digital route. It's a matter of talent, portfolio, and price (or budget). I have never been asked, by any of my clients over the last 25 years, HOW I did my work or with WHAT kind of gear. It's the result that counts. I went the digital route for part of my work (catalogues in particular), but the clients never noticed a difference, not even in the price! (Actually, I charge a bit more for digital, because of the extra work involved after the shoot) Magazines? I asked two photoeditors about how they felt about the digital vs. film thing in their work. The answer was: we prefer film over digital because the photographers aren't there yet. (!!!) They had the feeling that the quality of work presented was, except for a few cases, inferior to what they where used to. They also said that the differences in picture quality (colour, grain, contrast) had vanished between photographers, as if everyone was using the same film... PJs? Hmmm. There is an interesting trend here. I had the chance of being interviewed a couple of times last year, by local newspapers, and only once (!) the interviewer was accompanied by a photographer (with a Canon DS1). The other times it was the interviewer who pulled out his digital P&S and made the pictures. A friend of mine, ex-AP war photographer who teaches PJ at the CFPJ (the school for journalists) in Paris, confirmed this trend. He says that most of his "students" are actually journalists sent by their employer, to learn the basics of PJ work. Meaning that a few PJs will be out of work in the next couple of years, made redundant. And it's not because they didn't go the digital route. All the best! Tarek Le 19 f?vr. 2005, ? 06:48, Steve Barbour a ?crit : > Doug...you and I are still shooting film...let's not stop...