Archived posting to the Leica Users Group, 2005/02/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]At 7:24 PM -0500 2/10/05, William G. Lamb, III wrote: >Carl, > >Frank's summary was pretty good. Perhaps you are also overlooking >another option to round off your kit? > >Personally, I love the fingerprint of the 35 Lux ASPH, but it just >blocks too much of the viewfinder to make a compact package with an >M and what I consider to be my "normal" lens. If I want to block my >viewfinder, I use a 28/f2 ASPH which is Leica's modern answer to the >35mm traditional documentary lens. On all counts it does not >disappoint, is one of the finest Leica lenses, has a wonderful warm >fingerprint and is optically superior to both the 35 Lux ASPH and >the 35/2 ASPH. All three of those lenses are excellent. I've never seen a shred of evidence that states the 28 is better. > >If you want to stick with 35mm, I've got a perfect new black spare >which is surplus to demand because I'm using the LHSA chrome version >mainly on my chrome MP .58. You are welcome to it for $1,250 U.S., >complete with box and case, etc. This lens is capable of the highest >image quality in most circumstances, but it is not perfect. In >bright light combined with conditions of high humidity it can >vignette. Vignetting is a function of optical design, mechanical construction and aperture. It is never affected by light level or humidity (unless you breath heavily on it). :-) >Can't say if the 35 Lux ASPH does because I've never owned one..., >but the 28/2 ASPH is no larger than the Lux ASPH and most certainly >does not. > >Best, > >William -- * Henning J. Wulff /|\ Wulff Photography & Design /###\ mailto:henningw@archiphoto.com |[ ]| http://www.archiphoto.com