Archived posting to the Leica Users Group, 2005/01/29
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Lee showed and asked: Subject: [Leica] PAW 3 > Dear LUG, > Attached is PAW 3 - 2005. I am back from travel and almost un-jet lagged > after a wonderful trip. For the most part I am disappointed in my photo > timing, having missed the decisive moment slightly quite often. At least > one more picture will follow from this trip. I hope someone enjoys. > Comments appreciated. > New photo at: > > http://gallery.leica-users.org/Lee-Hermann-album/SeineA<<<<<<<< Good morning Lee, Please let me remind you, you did say: " Comments appreciated." My first is.. "What was the motivating factor in making this exposure?" My gut feeling? I'd almost bet it was the weather and your wonderful feeling of early morning in Paris as I have felt many times. As in, " WOW! What a great morning! Click!" And we rarely capture our inner feelings, "if there isn't a visual accompaniment of subject." As in feeling lousy when we see a snow storm....... In that case there is a "visual motivation " to make a solid photograph to go with the inner feeling. Whereas this exposure of what appears to be the Seine, bridge, trees in Paris has no central point of visual motivation. The camera was tilted upwards creating central converging lines to the buildings, the lamp post is leaning to the centre right. This maybe considered nit-picking about holding the camera straight. But in reality it's a small thing that can make or break a photograph from being visually interesting to "just another happy snap!" And the overall exposure appears it could easily handle another half to full stop darker for better saturation in the sky and also bringing out the buildings in the background. However, the bottom line is........ this is an exposure of, "What?" As I asked earlier..... "What was the reason or visual motivation to make this exposure?" No offence intended. ted