Archived posting to the Leica Users Group, 2004/12/26

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Subject: [Leica] Stories
From: feli2 at earthlink.net (Feli di Giorgio)
Date: Sun Dec 26 18:41:11 2004
References: <20041227010527.AEAE94D3D6@mail.patmedia.net>

The more I read about Smith, the more i think that he could have very 
easily been a movie director. He almost attacked his projects like he 
was making a movies in stills. Like you said, he would sometimes pose 
or rearrange things or people as needed, but I never get the feeling 
that I am being lied to when I look at his stuff... but his shots are 
often more "theatrical" than your typical PJ stuff.


feli

On Dec 26, 2004, at 5:05 PM, Neal Friedenthal wrote:

>> It is all that and more, Neal - Knowing Smith, and the era, it may 
>> well
>> have been posed, but so was the original Pieta, so what the heck.. ;-)
>
> Smith used his imagery the way a writer uses words to tell his story, 
> If he had to pose a shot, that was OK, if he had to manipulate a shot 
> in the darkroom that was alright also.  He would dodge, burn,
> spot, bleach, mask, overlay whatever he had to do to produce the 
> statement that he wanted.  Many photographers today seem to have a 
> problem with Smith's methods, I don't.  He produced the visual
> impact that was needed to get the story across, Smith wasn't just an 
> image taker he was a photographer who realized that only half the job 
> was done when the image was on the film.
_______________________________________________________
feli2@earthlink.net                    2 + 2 = 4                     
www.elanphotos.com



In reply to: Message from neal at nairobisafari.com (Neal Friedenthal) ([Leica] Stories)