Archived posting to the Leica Users Group, 2004/09/29
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I have had my Epson R ? D 1 now for five days and would like to report on the good and the bad so far. First the good- the camera handles very much like a film camera. It is very sturdy ? heft a Leica M and heft the R D 1 and the feel is very much the same. It is a solid piece of equipment. The controls are an interesting amalgam of the old and the new and have been thoughtfully designed with the traditional film camera / Leica user in mind. For example, to change the ISO setting you just lift the shutter speed dial and turn it to show the ISO speed that you want (from 200 ? 1600) in the cutout on the speed dial. Like a camera from the 1970?s. The RD 1 has AE which is set on the shutter speed dial and exposure compensation +/- 2 stops is accomplished by turning the speed dial up or down from the AE setting. No buttons to push ? no menus to scroll through. The other adjustments that can be made without resorting to the menu include selecting JPEG (high or normal) or RAW, and the setting of the white balance. The on / off switch is under the wind lever and is stiff to turn so it won?t get knocked off accidentally. The shutter cocking advance lever has a short throw and is very easy to use. It is also very easy to forget to wind and I have missed some photo opportunities because the shutter wasn?t cocked. The needle dials in the roundel next to the shutter speed dial are easy to read and informative about what white balance is in use, how many pictures are left on the SD memory card and what type of image format is recording. Battery life is also indicated ? from full to empty by the dial at the bottom of the display. The needle indication isn?t linear ? when the dial gets to 1/3 full you are just about out of gas. In Hong Kong there are no spare batteries available yet ? so when the battery needs recharging ? you stop shooting for about three hours. Battery life is impressive though ? about 250 H resolution JPEGS on a single charge with lots of playback. The 1: 1 viewfinder is clear and bright but as a glasses wearer I can?t see the outlines of the 28mm framelines at the edge of the finder (like the M6 .072). 35mm and 50mm frame lines are just fine. One problem ? the rangefinder in the prototype I handled in July was very slightly out of alignment and so is the rangefinder on this production model. Long time Luggers will recall that I am obsessed with accurate range finding but in this case it really is out ? not enough to reduce focusing accuracy appreciably in the near focus ? but enough that TV towers several miles away do not line up coincidently and they should. I have brought this to Epson?s attention and they tell me they will fix it likely by giving me a new camera when one is available. They don?t have anyone in Hong Kong to adjust the finder and will have to send the camera back to Tokyo ? and I don?t fancy being without the camera for an extended period. Rangefinder focusing accuracy is one thing Epson must get nailed down right away ? otherwise Leica users like me will drive them crazy. So what about picture quality. I am amazed. ISO 1600 with noise reduction turned on high produces a very moderately grained image much like, maybe better than the Canon 10D. Couple this with a fast lens like a 35 Summilux Asph and you can go into dark places with higher, more useable handheld shutter speeds and produce results that are simply amazing. It is a killer combination! This is where the marriage of Leica lens quality and low noise digital really come together. And it is so nice to be able to open a lens wide open and have bokeh back!! I think that once over the novelty of exercising all my Leica M lens in digital, the RD 1 will become welded to the 35 Summilux Asph for low light work. For daylight work, a versatile combination is the Tri Elmar that lets you cycle quickly through the 28 / 35 / 50 combinations when you are in situations where you want to shoot quickly, but really, when the light is good, the convenience of the Digilux 2 or Panasonic LC 1 with the Leica Vario Summicron has a lot going for it. There is an Epson RAW plugin available with the camera for Photoshop CS and I have installed this but am having some trouble getting it running properly. This is entirely due, I?m sure, to my operator error. If you shoot with the 12mm Heliar or 15mm Heliar the program has a feature where you check the lens focal length and the program eliminates the dark edges of the photograph which are naturally there because of the wide angle nature of these lens. That is very neat!! In sum, I think the R D1 is a keeper ? with some minor teething problems ? but in the end it is going to provide a very positive experience for Leica M users who want to try digital and not give up their Leica M lenses. It looks like it will be the only game in town for M users for a year or two and in that time I expect Epson will sell a train load of them. Cheers Howard (in Hong Kong)