Archived posting to the Leica Users Group, 2004/08/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> I was up at the Getty Museum this weekend visiting one of their photo > exhibits. One thing that always strikes me is the quality of the > vintage b/w silver prints. They are incredible lush and rich. Their > tonal scale is to die for with a creamy smooth tonal scale all the > way from the shadows to the highlights. I've never seen a modern > print that looks remotely as good. So, what is it? Certainly the > uncoated lenses (taking and enlarging) may have something to do > with "the glow", but my guess is it's the paper. True? False? Maybe? > Does anyone still make anything even remotely like that today? > They may also have been printed on one of many silver chloride contact papers, the only one of which that is still around being Kodak Azo (which I am just beginning to experiment with) - Azo in Amidol will give that long tonal scale and sense of depth, with black blacks and detailed highlights. tim