Archived posting to the Leica Users Group, 2004/07/28
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hello Luggers, Today Joseph Yao arranged with Epson Hong Kong, to test drive pre-launch sample serial number 0211 of the RD 1. Local Professional Photog Bobby Lee and his Leica M using friend YW Li joined us with everyone contributing lenses to try. I brought my 40mm Summicron, 50mm Summarit, 50mm Summilux, a 90 Elmarit (new style) a 35 Pre-Asph Summilux, and just for fun, a 135 Elmar. I also threw in the 2nd edition Tri Elmar as it was my favourite travel lens (when I was shooting film). Bobby contributed a 15mm CV and over lunch YW pulled out his Noctilux for some focusing fun. Joseph threw a new 50mm Summilux Asph into the mix. We shot with all the above lenses with the camera set in auto exposure and auto white balance at various apertures and varying the ISO between 200 and 1600. We took pictures both indoors and outdoors, still objects, scenery and portraits. We shot in RAW mode and then downloaded, using the Epson programming to an Apple G4 powerbook. Later, if I have time, I will try to post some images but in the meantime here are my impressions. 1.) the camera feels very solid. It is heavier than a Bessa R2 and has a solidity to it a bit like the Leica Digilux 2 / Panasonic LC 1. Controls are tight and precise. 2.) The viewfinder is less bright than the Bessa R2 but fully functional with a clearly delineated focusing patch. Given the limited rangefinder base of the viewfinder, precise focusing is difficult with the fastest lenses but still pretty good. We were all rangefinder users and didn't have that much problem getting accurately focused pictures except perhaps with the Noctilux. 3.) The shutter noise is more muffled than the sharp sound of the Bessa R2 but noisier than an M shutter. Because the timbre of the shutter is lower than the R2 it seems less intrusive. 4.) There is no auto play-back. After you take a picture you have to punch a play button and then toggle what would be the rewind lever to magnify the playback. This can slow you down if you want to check every picture. We couldn't figure out how to scroll around in the enlarged image; we assume it can be done. 5.) Metering is centre weighted and there is an exposure lock button. This helps compensate for the lack of spot metering. In the Epson down load software the details of each picture includes that it was taken in centre weighted mode which made us think that perhaps the camera had a spot mode but if it does, we couldn't access it. 6.) So how are the pictures? Well, the output of a 50 plus year old Summarit and a 45 plus year old Elmar never looked better. On the 17" power book screen, with just a minimum of auto balancing the colours really glowed on the screen. When we progressed to the latest and, some say, the best - the Summilux 50 Asph the impact of quality lenses on a digital image was immediately clear to all of us. 7.) With Bobby's 15mm CV and a 200% blowup there was some colour fringing in the corners of the picture a bit like you might see with a Canon G5. You can see why there had to be a compromise in the size of the imaging chip given the close distance of the rear elements of wide angle lenses to the chip surface. With longer lenses there was no color fringing in the corners. 8.)We turned the ISO up to 1600 and shot some lower light pictures to check for digital noise. The chip used in the RD 1 is the same one used in the Nikon D70 and high ISO performance is very similar which is to say very acceptable. ISO 1600 noise is pretty much like the grain in modern ISO 400 film and Bobby said grain reduction programs could smooth more of the noise if anyone felt it was objectionable. 9.) Will anyone who loves Leicas actually buy one of these? Well, the viewfinder could be better, the handling of the camera is a queer combination of the latest technology and last century's. I forgot to wind the advance lever time after time to cock the shutter and kept waiting for the playback to show up after the picture was taken. Yet, when we had examined the magnified images on the screen, three of the four of us said then and there we would be buying the RD 1 when it becomes available and made Sam, the Epson rep, promise to hold units for us. So that is certainly a case of putting our money where our mouths are! 10.) We didn't get into local pricing but availability in Hong Kong will be late September, early October, in limited numbers. It seems Epson is planning to make only 10,000 of the cameras this limitation is set by Cosina about the number of bodies that can be supplied. Of course, if the market is there I am certain they will find a way to build more. Cheers Howard