Archived posting to the Leica Users Group, 2004/06/09
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>From your post I think you are referring to scanning a bunch of cut strips on a flatbed scanner (essentially a contact))? --Yes If so I'm interested in this approach as it avoids some complications in film positioning. --Actually not, I encounter the same problems when I proof a roll of 35mm negs in a wet darkroom. Sometimes they overlap a bit. First, are you using a scanner with an extra light source above the film area (aka transparency adapter)? I'm assuming this is needed in this approach, but not certain, and possibly it depends on other details of the scanner. -Yes. There's no other way. Once one has produced say a 300DPI scan of several strips of 5 or 6 frames (negatives) each, I anticipate 2 issues- 1- variation in individual frame density/contrast/colour -- Yes the do vary, but keep in mind that these are proofs only. The same problem exists in traditional, wet proofing & motivates you to be fastidious about exposure. 2- ease of extracting individual images (eg. for cataloging, sending copy etc) -- I use ps to make small "working prints" via crop/save which I catalog along with a .tif of the entire sheet. These can be corrected in many ways. I cross-reference the wp's with the full roll proofs and add in any high q scans I make of the one's I really like. After I get a cd's worth, I burn a disk and remove the images from my hard drive. The software remembers which images are on which cd's(at least that's my plan). Possibly it will include a thumbnail of the wp's. I know one can rescan, adjust and crop, and this is simple for a few images or rolls, but it is daunting when there is a large backlog. -- Yes. It took months to digitize my library, but compare the cost of sending them out. --I only rescan if I'm looking for an exhibition quality reproduction. I'm trying to achieve the capability you would get if every roll on file had a photo-CD with snap-shot quality scans- possibly that is not what you need, but if it is, how have you handled the issues above? -- This is somewhat of a contradiction. Your neighborhood 1 hr photo actually has a very expensive machine that enables him to look at/correct each frame individually and then produce the cd. That's way too expensive for me. My main justification for getting a really good scanner was that, instead of $8-12 per roll, I'm down to $2 for process only, no prints or cd for c41. Plus can I include my traditional negative & transparency work in the same flow. The so called "photo-CD"s are usually a max of 600dpi & useless for quality work.