Archived posting to the Leica Users Group, 2004/05/14
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Daniel, I tried the 24-85 AF-S also. Found out easily you get what you pay for. Crap. One of the worst Nikon zooms, next to the 24-120. Looked terrible with the F100, okay with the D100 only due to Nikon Capture sharpening. But the prime Nikon lenses like the 35-70/2.8, 17-35/2.8, and 28-70/2.8 are fine performers. Favorite Nikon lens is the 85/1.8. Take my '70s 35 & 50 Summicrons any day over other lenses. I'll just have to move forward, move backwards for zooming. Chris ----- Original Message ----- From: "Daniel Ridings" Subject: [Leica] Sharp lenses, who cares? > I bought a zoom with my Leica D100 and it was reputed to be sharp: 24-85 > AF-S. On the D100 it seemed to be. I had no real complaints and didn't > notice any difference that mattered when I'd put on a fixed focal length > lens, something I did out of a gut feeling that they must be better. > > I didn't have a film camera that could use the lens so I never used it on > anything other than digital. Last week I picked up a bargain F90X (I'll > get to Leica content, don't worry). With one exception, when it comes to > shooting modes (I can't use aperature priority since you can't set the > aperature by a control dial and the 24-85 AF-S doesn't have a ring) it > works just fine. So I thought I'd run a few rolls through and see how it > holds up. > > Mush. At f8 it's just mush. Maybe that's sharp by some peoples standards, > but compared to the fixed focal length Nikkors and Leica lenses the > particular sample I have is not much to write home about (but I'm doing > it, huh?). > > Now we have a situation where a so-so lens for film is just fine on > digital. Nikon's software and for all I know, hardward, takes care of what > I would call deficiencies when it comes to film. It's mush on film but > gives me results I'm happy about on digital. > > So ... Leica has a reputation for good glass, a well deserved reputation. > It's their special angle in the film world. When the industry is going > digital, what will their trademark angle be? Their technical advances in > engineering? Their innovative software? Their good glass? > > Who is going to care about the good glass when the quality comes from a > combination of strengths where Leica only has the corner, or shared > corner, on one of the strengths? Good glass isn't even a top priority, as > far as I can understand, when it comes to quality pictures with a digital > camera. None of the biggies make crappy glass and the rest can be lifted > up by other means. What will be the equivalent of that "Leica glow"? > > My guess? Nothing. > > This coming from a PAW:er who with almost 100% consistency only posts > analogue shots ... and in the vast majority of cases done with Leica M:s. > So I'm not inherently antagonistic to film or Leicas. I love them both and > I love digital. I just don't pester you guys with it. > > Daniel