Archived posting to the Leica Users Group, 2004/04/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Folks - Sincere thanks to all who reponded to my weekend photo postings. Yeah, the abstraction thing has the potential to be tedious, toney, pretentious, and dumb; which keeps me on my toes when working in that dangerous area. I'm really concerned with doing my best to keep a clear distinction between "art" and "arty". I never did any of this abstract stuff 'till a couple of years ago when a few things happened in quick succession: 1. I spent a lot of time looking at terriffic collections of mid-twentieth century abstract expressionist paintings and lithographs. 2. The owner of one of these collections challenged me to pursue that vocabulary with snaps. 3. I bought a Leicaflex SL. Before all this stuff I shot almost exclusively in black & white with M's for 30 years (with some Canons in there for awhile after the theft of my M-4). Normal to wide lenses, fast film, loose framing. Then somehow the view through the SL (plus the above-mentioned factors) led to this whole other slow film, tight views, careful composition in color thing. So ironically, I have hundreds of B&W images that I like (mostly unscanned) but there's more color up on the Pbase website partly because it's more recent (coinciding with scanner ownership) and partly because I thought the color thing displayed better on monitors. I also think that perhaps my 2700 dpi scanner doesn't work that well with the high speed B&W thing. Bob Palmieri