Archived posting to the Leica Users Group, 2003/07/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hi! From this webpage of a review by John Banville, 'Secret Geometry' of HCB's "The Man, the Image and the World" the entire artcle is here: http://www.nybooks.com/articles/16413 he states: And one cannot leave it alone. One wants, one tries, to frame the precise question that will provoke the revealing answer. It is impossible. Cartier-Bresson has always been fascinated by the East—his first wife, Ratna Mohini, was Javanese—and in the face of all one's efforts to elicit from him a solution to the riddle of his abandonment of photography he maintains an attitude of merry serenity worthy of a Zen master. Which is what he is, really. The "decisive moment" is everything, the moment at which the artist catches the world in flagrante, unaware of how much it is revealing of itself. It is an extraordinary fact that Cartier-Bresson's photographs come to us as they were taken: no darkroom magic has been performed. He does not even crop his pictures and refuses to allow others to do so. This is a truly miraculous eye. Well, I recall seeing the original negative of his shot in the '30s of the guy leaping the puddle and it's way cropped using about a third of the negative. Maybe he decided not to crop later. Cheers, Rich Lahrson Berkeley, California tripspud@transbay.net - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html