Archived posting to the Leica Users Group, 2003/04/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Jerry Lehrer wrote: > Martin > > Now you are acting as an apologist for one of your own kind. > > He didn't "accidentally" send the altered pic. And the editor at > the other end, probably said. "This will wow them! Print it and > trash the other two", not knowing that it was a composite. Jerry, maybe you should ease off on the coffee, and climb down from your moral hobbyhorse that you seem to be gallopping around your La Jolla paddock. I'm not acting as an apologist for anyone. If you'd taken the care to actually read and think about what I wrote, you'd recognize this. One rather obvious clue lies in the way in which I prefixed the hypothetical scenarios with the expression "what if". I am pointing out that the simple, comforting, quick-and-easy solution to many problems in complex, socially organized technical systems very rarely does anything to address the problems. What it does do is buy people a measure of satisfaction. Consider the Challenger accident. The easy solution would have been to fire whomever was responsible for the launch decision. That would have done *nothing* to solve the systemic problem of a gradual erosion of safety standards that was taking place within NASA at the time. (The Human Error research literature is filled with examples of this, and I'll be happy to provide references should you wish to read more about them.) I agree -- the photographer does not appear to have sent it unknowingly. He appears to have suffered (or claims to -- we only have his word for it -- but it seems reasonable) a lapse of judgement. That, however, is not my point. My point is that technology has pushed us to a point where the digital manipulation of images, the pressures on photographers and news organizations to get and publish "selling" images, and the ability to quickly get images from all around the world, means that there are built-in vunerabilities to this kind of error. My point is that -- in the hypothetical case I presented -- even in the absense of intent, this sort of thing can easily happen. And that current systems are vunerable to these kinds of errors, because there are few mechanisms in place to catch them. I think that it's probably just a matter of time. Either newspapers and other media rethink their way of handling images and confirming their accuracy (perhaps aided by technology -- watermarking, or digital camera signatures) or we are likely to see many more of these incidents take place. That is not an apology or an excuse or an attempt to validate the photographer's actions. It's an attempt to point out that the world is not black-and-white, that complex socio-technical systems provide unexpected (by their designers) opportunities for errors to be manifested, and that the traditional "scapegoat" approach to problem solving does little to address those embedded vunerabilities. To me, this incident raises those larger issues, and is not as cut-and-dry as it may appear at first glance. Oh, and assuming that you've actually read this far: explain to me in which way the photographer was "one of my own kind". I'm not a top notch professional photographer working for a respected newspaper covering a war, and I'm guessing that Mr Walski doesn't have a PhD in Human-Computer Interaction and work with the design and evaluation of complex socio-technical industrial systems. Off list, if you please. M. - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html