Archived posting to the Leica Users Group, 2003/03/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Seriously, B.D., and I apologize for calling you a boor, and for agreeing that you were being politically incorrect. I think the issues are even more serious than being either of those two. The issue has more to do with the idea of what constitutes images worth "seeing." Consider that an image made by an artist is a product of more, considerably more, than just what can be "seen" in a conventional sense. How many times have you looked at a photograph and wondered, or marveled, really, about how the maker of that image came to create the image as you see it, as you the viewer of the image, sees it. What if you attended an exhbition of photographs by a certain photographer, and were totally bowled over by how beautiful they were, how perceptive, how "whatever" it is that made the images compelling for you. And then what would you do if you found out that the photographer could not see? Would you consider the images any less beautiful, any less compelling? How many photographs have you taken yourself, images that you later examined, only to find that there were things in the image that you yourself were not conscious of "placing" there when you took the photograph? How can you account for that? What about Beethoven? How can one say that someone who can't hear cannot make music? His compositions were created in his mind, and made in notation on paper so that others could hear what he "envisioned," or perhaps the better word would be "en-heard," that he later noted on the manuscript before him. Did the music he composed have any less value because he could not hear it? What about musicians in our own time, who cannot hear, but who can compose electronically via computers? Can visualize sound? Or can feel vibrations in the body? Who is to say that the reception of that "music" by some other means than one's eardrum is an invalid mode of interpreting the sound? I believe that you simply cannot assert that someone whose sense may be different is incapable of making an image that is compelling to others who can "see" it in the conventional sense, and that the person who made the image did not themselves "see" the image in their imagination/mind/soul, prior to capturing it, by whatever means, on film or paper. Or that they do not "see" that image in their imagination as they are creating it, or later, after they've made it. Does it matter that the image they've created "looks" different from the one they conceived or envisioned? Every image appears to be a different image to every eye viewing it. In the ancient world, the artist was a shaman, a person whose vision was different from the rest of the tribe. Their ability to envision things that others could not see was what earned them the reverence they rightly enjoyed from the rest of their people. We continue to prize this ability in the artist, in the photographer, that he or she can "see" what others cannot. I can think of no better example of someone who can see what others cannot see than someone who is blind. What we really seek in images, what makes them most compelling to us, is the presence of the spirit of the maker in them. How that presence arrives in the image is a mystery to most anyone who creates. It is also the thing most artists strive for--that one moment of ecstasy when the latent image begins to appear in the developing tray, and we ask ourselves, "Who did that?" Kit - -----Original Message----- From: owner-leica-users@mejac.palo-alto.ca.us [mailto:owner-leica-users@mejac.palo-alto.ca.us]On Behalf Of bdcolen Sent: Tuesday, March 11, 2003 5:58 PM To: leica-users@mejac.palo-alto.ca.us Subject: RE: [Leica] Autofocus Leica R Okay, I can't help myself...I am going to be totally politically incorrect and ROFLOL! (And, yes, I've seen the book of photographs by blind "photographers." I know: I'm cruel. I have no imagination, blah, blah, blah, blah. Get a grip, folks! Alternatively sighted people are BLIND. They CAN NOT SEE. Photography is a VISUAL medium. It requires VISION. I don't care if a blind person can point an autofocus camera at a subject he or she hears and "take a picture." An Ape can do the same thing, and I am not going to take Ape photography seriously either. I know, I know, there are a bunch of Thai elephants that paint and a bunch of nuts who pay allot of money for the paintings. I'll tell you something, when I lose the remainder of my hearing - I now suffer from moderate hearing loss in one ear and a severe lost in the other, and wear two hearing aids, I am NOT going to apply for a job as a freaking MUSIC critic! ;-) B. D. - -----Original Message----- From: owner-leica-users@mejac.palo-alto.ca.us [mailto:owner-leica-users@mejac.palo-alto.ca.us] On Behalf Of Kit McChesney | acmefoto Sent: Tuesday, March 11, 2003 7:37 PM To: leica-users@mejac.palo-alto.ca.us Subject: RE: [Leica] Autofocus Leica R Speaking of photographers with poor eyesight, or even more amazing, photographers who are legally or functionally blind, Aperture just published last year a gorgeous book on the subject of blind photographers, titled appropriately, Shooting Blind. It is a moving volume, and poses some interesting questions about how we see, and what we see. There are many blind photographers ... Evgen Bavcar, Flo Fox, Gerardo Nigenda, among others. Bavcar has some interesting things to say about the differences between the visual, and the visible. "My task is the reunion of the visible and the invisible worlds; photography allows me to pervert the established method of perception amongst those who see and those who don't." ... and ... "Each photo I create must be perfectly ordered in my head before I shoot. I hold the camera to my mouth in order to photograph those I speak to. Autofocus helps me, but I can manage on my own: it is simple, my hands measure the distance and the rest is achieved by the desire for images that inhabits me." I suspect that even with their visual difference ("seeing" differently from most of the rest of the world) that not all blind or visually impaired photographers use autofocus ... focus is not necessarily the requisite hallmark of a photographic image. Don't we use the unfocused as a tool of expression? What about bokeh? (Thanks, Mark R!) Kit - -----Original Message----- From: owner-leica-users@mejac.palo-alto.ca.us [mailto:owner-leica-users@mejac.palo-alto.ca.us]On Behalf Of John Collier Sent: Tuesday, March 11, 2003 4:27 PM To: leica-users@mejac.palo-alto.ca.us Subject: Re: [Leica] Autofocus Leica R I used to agree with Doug but have since run across a few people who have such poor eyesight they need auto focus. Mind you that is not very many people for the plethora of AF cameras out there... No plans for AF here, John Collier On Tuesday, March 11, 2003, at 03:56 PM, Douglas Herr wrote: > lea <lea@whinydogpress.com> wrote: > >> I'd be first in line to have one.... > > The combination of an APO lens and an SL, SL2, R8 or R9 viewfinder > makes focussing too easy to make AF worth discussing (IMHO). - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html