Archived posting to the Leica Users Group, 2002/12/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Robert - 1. Off 100 people viewing a shot of a horse race, how many do you think have ever noticed the "fine stitching" in the jockey's jackets? For that matter, of 100 photographers shooting such a scene, how many know - or care - that the detail is there until they look at a huge enlargement? Bottom line - does the digital capture the scene? Does it capture the color "accurately?" Does it capture light and shadow? Does it capture the action? Does it give the same impression, when viewed from a normal viewing distance, that film does? After all, NO ONE is looking at such a photo with a loupe other than someone trying to see what fine detail the film was capable of resolving. 2. You've got to be kidding when you say the digital workflow takes longer than the film workflow. "I develop them by machine, edit on a light table and throw out the rejects. I can view a slide in a few seconds using a loupe. Opening a file, closing it and then deleting it probably averages to ten or fifteen seconds each file." So you're saying you take a processing machine to the venue? And wait how long for the slides to be processed, dried, and mounted before you throw them on the light table - that you also took to the venue? As opposed to the "ten to fifteen seconds" it "probably averages" to view each digital image and decide if it's a keeper - which can be done on the camera if one is so inclined. And if one isn't, it's sure easier carrying a laptop to the race track than it is transporting a slide processing outfit, film drier, mounts, and a lightbox. And then, assuming that you want to make some color or white balance adjustments in those slides you've thrown on the lightbox, how do you do it - unless you're printing - and how long does it take? Come on. If you want to say that you think film is superior because it captures that fine detail - and you have a need for that fine detail - okay. If you want to say you prefer the latitude film gives you, okay. If you want to say that you prefer to use your Leicas and Leica glass, and that you can't use them to shoot digitally, fine. But don't claim that shooting digitally slows people down - because it just ain't so. :-) B. D. Still shooting film. - -----Original Message----- From: owner-leica-users@mejac.palo-alto.ca.us [mailto:owner-leica-users@mejac.palo-alto.ca.us] On Behalf Of Robert G. Stevens Sent: Sunday, December 15, 2002 1:57 PM To: leica-users@mejac.palo-alto.ca.us Subject: RE: [Leica] 1Ds digital results At 12:29 PM 12/15/2002 -0500, you wrote: >Wilfred, > > > White balance and overall color fidelity is often > > superior to film in good digital cameras, > >I believe you are misusing the word "fidelity". Fidelity means >"accuracy of reproduction". It is physically impossible for digital >cameras using Bayer pattern sensors to have higher "fidelity" than film >(unless they have a LOT of sensors, and 11M sensors doesn't come >close), simply because of the color interpolation that happens due to >the Bayer pattern sensor. I have noticed that images shot with digital seem to be missing some of the finer detail captured on slide film. I am assuming it is this color interpolation doing it. I borrowed an EOS 1D to shoot some hockey this weekend. When shot at 400asa the details in the material of the jerseys seem to be missing. Using the same lens, E200 pushed to EI 400 seems to capture more details in the Jerseys, such as the fine stiching. It is really noticable with the red jerseys. Look at the sample image on the EOS 1D web page. In the Jockey picture the red jersey has no detail, just a blob of red. Its a big tiff file and takes a while to download. http://www.usa.canon.com/EOS-1D/sample.html I would also argue that digital adds a lot to the work flow for somebody that is not on a tight deadline. Shooting at 8fps and high quality creates a lot of files that take a lot of time to open and decide whether to delete or keep. With slides, I develop them by machine, edit on a light table and throw out the rejects. I can view a slide in a few seconds using a loupe. Opening a file, closing it and then deleting it probably averages to ten or fifteen seconds each file. Not to mention dragging a laptop to the venue to download the images and start some of the editing. One more thing to carry. Regards, Robert >Now, the color may LOOK better/cleaner etc. to some, but that is not >something you can attribute to "fidelity". > > > Negative film can still capture a wider range of light than any > > non-scanning digital sensor I've seen or read about thus far. > >Hum. What are the ranges you are seeing? My information shows they >are equal, with an edge on digital, especially for color. For B&W, >they are the same, pretty much, but you have to use compression and >compensating development to get that many stops on the film...but it is >do-able. > >Regards, > >Austin > >-- >To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html