Archived posting to the Leica Users Group, 2002/12/02
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Phong & Martin- > I beg to differ: 3 is a shot of someone sleeping, 4 is a hurried shot > (out of focus), and 5 is a shot in the back Phong pegged 2 out of 3, but #4 isn't out of focus because it's hurried. I found that 25-30% of my shots were slightly out of focus. I think it's because I was focusing in one window, and then moving the camera when I composed in the other window. The narrow depth of field showed no mercy. Shooting at 1/30 on a moving train probably didn't help either - I have 2 other frames of that guy and both of those are motion blurred. > But, this brings us to the core of the matter (and remember -- it takes > one to know one). While all are examples of consistently good > photographic composition, good technique, good utilization of the > format... I'm left with the question: why? Why did you take these > pictures? What drove you? What are you trying to communicate? I'm not quite sure. I'll be graduating in a few weeks and at that point I can sit down and ponder what I want to do with photography. Martin is right - I did just throw a few rolls into the camera (easier said than done with a III...), and go shoot whatever I could find. I'm not sure why I picked those things to photograph - I guess they just caught my eye. Since I'm graduating in December, I have a few months before grad school starts in September. I was thinking about trying to get a photography internship with a newspaper. It's not the same type of photography, but at least it would be some direction, instruction, and money. If anyone has any ideas about what I could do between December and September, I'd be interested. I've been looking at photo internships and volunteer opportuntites all over the world. Any leads/ideas would be appreciated. Thanks for the comments and feedback! - --Dan - ----- Original Message ----- From: "Phong" <phong@doan-ltd.com> To: <leica-users@mejac.palo-alto.ca.us> Sent: Monday, December 02, 2002 7:38 AM Subject: RE: [Leica] IIIa Photos > Dan/Martin, > > > 3 & 4 in particular showing that you don't have that "I don't dare > > take a picture"-angst that many seem to be plagued with. > > I beg to differ: 3 is a shot of someone sleeping, 4 is a hurried shot > (out of focus), and 5 is a shot in the back. You may not be angst-ridden > but none of the 5 photos shown are good examples of street > photography, although 4 in particular shows you are willing to push > yourself. By the way, I don't think I can do any better than you. > #2 is my favorite of the bunch. An air of mystery. > > Re. loading the IIIa, if it is the same as loading the later IIIg, you do > get used to it. I remember when I first used an M camera, how I thought > these Leica camera designers have a really sick mind; this was the > early 1990's for crying out loud. :-) I did get used to loading it, as I > did later with the IIIg. The IIIg probably took longer to get used to, > and of course you have to trim the leader. On the other hand, I loaded > it again a couple of weeks ago after a long time of not using it, and > there I was, cursing the camera, and wondering why I would want to > keep this useless fine piece of junk. :=) > > And I don't really understand I haven't had a misload on an M6 in a long, > long time. It's true Zen. You trust the process and yourself, and it all > works. > > - Phong > > > > > > > > > -----Original Message----- > > From: owner-leica-users@mejac.palo-alto.ca.us > > [mailto:owner-leica-users@mejac.palo-alto.ca.us]On Behalf Of Martin > > Howard > > Sent: Monday, December 02, 2002 12:07 AM > > To: leica-users@mejac.palo-alto.ca.us > > Subject: Re: [Leica] IIIa Photos > > > > > > > > Some quick and initial impressions (from someone who largely doesn't > > know what they're doing, but that's not going to stop me... ;) > > > > The FED 55mm may not be a brilliant lens, but you sure seem to put it > > to good use. Nice utilization of the format. You have an eye for 35mm > > photography, especially the kind that Leicas seem to get put to: > > documenting life around us everyday. (1) is a good composition, if a > > bit bland in subject matter, but I like the quirky humour in the shot; > > (2) is the best of the lot IMO: I love the mystery in the shot. Would > > work great as a B&W with the silhouette printed really black; (3)-(5) > > all competent examples of street photography, 3 & 4 in particular > > showing that you don't have that "I don't dare take a picture"-angst > > that many seem to be plagued with. > > > > As for the exposure meter, given what you've posted, why would you want > > one? They're all well executed. > > > > But, this brings us to the core of the matter (and remember -- it takes > > one to know one). While all are examples of consistently good > > photographic composition, good technique, good utilization of the > > format... I'm left with the question: why? Why did you take these > > pictures? What drove you? What are you trying to communicate? > > > > This may sound overly critical, but it seems to me that you have what > > it takes to be a very good photographer -- what you need seems to be > > direction, or focus, or drive. Perhaps even a point of departure. How > > you get that, I don't know. > > > > OK, sure, I understand that you probably just loaded up the IIIa with > > Fuji Press 800 and pointed it more or less at random at things just to > > see what it could do. But, given that these are this good as random > > shots, imagine what they could be if they had been part of a more > > focussed whole. > > > > Loading an LTM is a pain in the arse. It always was. Which is why > > every single manufacturer in the world, and Leica too eventually, about > > fifteen years after everyone else, came up with a different way of > > doing it -- one that relies on being able to open the back of the > > camera. And why everyone who tries to use one eventually stops and > > runs off and buys modern camera instead. > > > > Unless they settle for an M, of course. > > > > M. (you may now all slap me with a large trout) > > > > -- > > To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html > -- > To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html > - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html