Archived posting to the Leica Users Group, 2002/11/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hong Kong Luggers had a dinner last evening at the Aberdeen Marina Club in honor of Bryan Caldwell who was visiting from California. Bryan brought his black paint M4 and Noctilux to the party as well as a recently acquired Leica Digilux which proved an interesting and capable picture taker. Sarah and Joseph Yao were there, Sarah showing her latest photographs from North India and Joseph using his Alpa 50mm lens adapted to M. James Leung had travelled with Sarah and showed his pictures as well. It is interesting to see how differently two capable photographers approach travel photography. I took along three A4 prints from my Epson 1290 which illustrated that Leica R lenses do work well - with some reservations - on the Canon D60. One picture was of visitor Peter Belanger, taken by natural light, using the 28 Elmarit wide open - sharp with beautiful bokah, a second of my son Russell taken with the Summilux 50 and using the SF 20 flash. The picture is sharp but there is an operator induced white balance problem. The third is of the Hong Kong skyline, taken with the 180 3.4 APO wide open, set at infinity (or beyond) and it is soft focused, despite using a tripod and timer to provide mirror lockup. The problem is, I think, that the APO is designed to focus slightly past infinity and you can't see clearly enough in the Canon view finder to accurately focus the lens when it is wide open. James had a variety of R lenses in his pack and I used the Leica 21 - 35 zoom on the Canon, which together with James's Metz 45 flash, is a very effective combination. I also got to use James's 80mm Summilux R and the lens is simply formidable on the Canon camera. I was able to get accurate focusing - most of the time - because of the brightness of the viewfinder and if I missed a shot, upon review, I just deleted it and shot it again. One technical aspect of using the 50 mm Summilux R on the D60 - the Summilux does not completely open its aperture when mounted. It is closed to about F2.0 to F2.8 when the aperture scale reads f1.4. Now that the novelty of seeing digital pictures taken with Leica lenses is beginning to wear off, the limitations of the combination are becoming more apparent and they make me wish that Leica could manage a cooperation with Canon to produce a D 60 with better ground glass focusing and a mount which would communicate lens information to the camera to allow TTL flash and use of the camera programming. I doubt the market would be large enough to justify the retooling - but what the heck - one can dream. Cheers, Howard. - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html