Archived posting to the Leica Users Group, 2001/09/08

[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]

Subject: Re: [Leica] Tonal scales in prints
From: ternahan <ternahan@sonic.net>
Date: Sat, 08 Sep 2001 22:51:08 -0700

Interesting thoughts...I think along the lines of seeing what is there to
see...sometimes contrast grabs me, sometimes shadows, sometimes highlights,
and often the subtlenss of midtones. Every now and then I get socked in the
gut with color....like in India.
I really am enjoying the obsessive dicussions about papers and testing and
coating....I've been known to go through a whole box of paper when I see
something appear in a single image that I didn't anticipate....and that
leads to .......and then there is the relationship between images that can
suddenly enter my consciousness as I print......
So I guess my approach is "it depends" ...and I like surprises. Never stop
looking!
(even though that means I'm always lost, I've seen some interesting things
that I would have missed if I knew where I was going...)

trish
ternahan@gentlelens.net


> From: "Don Dory" <dorysrus@mindspring.com>
> Reply-To: leica-users@mejac.palo-alto.ca.us
> Date: Sat, 8 Sep 2001 22:59:31 -0400
> To: <leica-users@mejac.palo-alto.ca.us>
> Subject: [Leica] Tonal scales in prints
> 
> I've noticed in looking at others postings that the tonal scale displayed
> more often than not is of a lighter, more airy quality.  As well, I find the
> images quite effective in bringing some thought  on my part.  What's
> interesting is that in my own B&W work I purposely put a lot dark tones in.
> As if I start with a coal bucket and add a little light and others start
> with sunshine and add a little shade and tonality.
> 
> What I'm interested in hearing is how others approach the tonality of their
> work if their is a conscious effort or whether the scene just works out as
> it is.
> 
> Don
> dorysrus@mindspring.com
>