Archived posting to the Leica Users Group, 2001/09/08
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Interesting thoughts...I think along the lines of seeing what is there to see...sometimes contrast grabs me, sometimes shadows, sometimes highlights, and often the subtlenss of midtones. Every now and then I get socked in the gut with color....like in India. I really am enjoying the obsessive dicussions about papers and testing and coating....I've been known to go through a whole box of paper when I see something appear in a single image that I didn't anticipate....and that leads to .......and then there is the relationship between images that can suddenly enter my consciousness as I print...... So I guess my approach is "it depends" ...and I like surprises. Never stop looking! (even though that means I'm always lost, I've seen some interesting things that I would have missed if I knew where I was going...) trish ternahan@gentlelens.net > From: "Don Dory" <dorysrus@mindspring.com> > Reply-To: leica-users@mejac.palo-alto.ca.us > Date: Sat, 8 Sep 2001 22:59:31 -0400 > To: <leica-users@mejac.palo-alto.ca.us> > Subject: [Leica] Tonal scales in prints > > I've noticed in looking at others postings that the tonal scale displayed > more often than not is of a lighter, more airy quality. As well, I find the > images quite effective in bringing some thought on my part. What's > interesting is that in my own B&W work I purposely put a lot dark tones in. > As if I start with a coal bucket and add a little light and others start > with sunshine and add a little shade and tonality. > > What I'm interested in hearing is how others approach the tonality of their > work if their is a conscious effort or whether the scene just works out as > it is. > > Don > dorysrus@mindspring.com >