Archived posting to the Leica Users Group, 2001/09/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Marc James Small wrote: > Excuse me. I am not following this. Why would a "black slab" copy machine > be more inclined to get knocked over than, say, a white slab copy machine, > or whatever? And, if it did get knocked over, what sort of litigation > would result? On what theory? > It had nothing to do with the color of the slab. Imagine something like the monolith in 2001. Now imagine it tipping over for god knows what reason (regardless of it being bolted in to the floor) and falling on someone. > I do get really tired of the constant whingeing over attorneys. We guys do > more to protect your rights than you recognize, so learn a bit about the > way the legal system operates before making gratuitous slams at the > occupations of others. > Marc Well, I obviously didn't think it was a problem, since that's the way I designed it. It was my teacher who went off in that direction. I also don't think that all attorneys are ambulance chasers, I myself have a few lawyers in my family. Anything I said certainly wasn't directed at you personaly, I don't even know you. But I do think that there are individuals (just like in any business) that give the rest of the profession a bad reputation. I'd love to see the good lawyers jump on them. feli ________________________________________________________________________ "It's truly one of those shows where you just keep expecting Allen Funt to come bursting out from behind some 2-way mirror and explain that you've been on candid camera for 3 years." -Ethan Ormsby on the status of production, 1999 ________________________________________________________________________ Feli di Giorgio * Compositing Supervisor * DIGITAL DOMAIN feli@d2.com * Ext. 3074