Archived posting to the Leica Users Group, 2001/09/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]David Rogers talking about lens comparisons made me smile. I'm selling an FM2T and a Nikon 35mm f1.4 because I'm just not getting results that are even close compared to the m6/35f1.4 combo. Don't know whether its me but shooting the FM2 at anything less than 60th is giving unsharp pix. I can quite happily shoot the M6 at a 30th without even thinking about it and when i do go for it its at 15th. I loved the FM2 until the M6 arrived and now it just has to go! Another thought about print repro. As far as I'm concerned if an image is being used for the web or newspaper and to a degree magazine/book repro the make of lens is irrelevent. Every modern lens today is capable of producing an acceptable quality image. Every image seen has been scanned so it is nothing more than a 'digital image anyway'. What I love about M images is the handprints they produce...and that when a pic ed is looking at my slides they just look different !! Need I say more? I remember shooting a story about English 'soccer' fans. The home team had just lost. I was shooting a 50 lux' M6 and TriX rated at 1600. I shot an image of 3 fans at 30th/f1.4. The printed exhibition image was only 30% of the original but you never would have known it. I've shot with a Nikon 35/f1.4 for a long time and there is no way that same image quality is possible with Nikon (guess I'm already preaching to the converted !!?). Shooting low light theater? TriX and Fuji 800 (fuji 800 rated at 1600 is better than fuji 1600..!) We do after all live in a perverse world. For Sale ~ Nikon FM2 Titanium (Mintish) @ £400 and Nikon 35mm F1.4 Excellent condition @ £325 (I don't really expect any buyers but you just never know) Stewart Weir w:www.portfolios.com/weir