Archived posting to the Leica Users Group, 2001/09/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]no need to get defensive -- you put the photo up for criticism, you got it. Learn. Pinhole photography is a totally different and very demanding school of the art. It gives photos a whole new feel and opens new vistas for the artist to explore. Your photo does none of those and is really not much more than a snapshot, something to show your technique works. fine. Now put some effort into it. Read a few books on pinhole photography, check out the web sites (there are many) experiment with light and shadow and movement, and see what can be done with a "lens" that is infinitely in focus but never really sharp. Make a Large Format pinhole out of a coffee can and see what that does for you. I know one guy who made one out of a Minox film can. Pinhole cameras are serious instruments, but being extremely basic cameras they require much from the photographer. Even Ansel Adams did some work with them and spoke highly of the possibilities.. You could easily end up with something that you can market. Others have. charlest trentelman ogden utah In a message dated 9/3/01 1:07:09 AM, owner-leica-users@mejac.palo-alto.ca.us writes: << One of the nice things about Leica body/pinhole cameras is that you can see what you're shooting. Some people, as below, may think pinhole photography is beneath them. Well, to each their own. I happen to think pinhole shots are very interesting. There's a quality to them that you can't capture even with 'the finest glass in the world.' Not to be a snob about it, tho. In this particular shot, a lab print turned out a glossy that makes you do a double take -- is it a computer simulation, or a photograph? The modern architecture, to my mind, contrasts well with the pinhole style. Will I sell this to a client? Nope, I don't have clients. Don't work in an office, and don't kiss ass for a living, either. G. >>