Archived posting to the Leica Users Group, 2001/08/05
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Dan, I've had the same problem. I've managed a routine in which the film is attached to the reel in the dark. Cheers, Rich Lahrson tripspud@transbay.net Dan Cardish wrote: > Actually, I always get the best shot on the final frame of 35mm film I've > rolled myself, where the film was exposed to light at the end where it was > attached to the spool. And I know it's true because occasionally I can > actually see part of the frame when I develop the film! > > dan c. > > At 06:46 PM 05-08-01 -0300, Pablo Kolodny wrote: > > > >Lots of times when working in Studio, let's say for a dance job where we > >plan in advance every shot and ask for the dancers to move themselves like > >this or like that way, we achieve the best shot at the 13th frame when using > >120 and at the 25th when 220.-