Archived posting to the Leica Users Group, 2001/07/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Ted, I value your comments enormously, and I am never offended by constructive criticism. That's why I post the images. This sort of feedback is one of the reasons I stay on the LUG; I don't much give a damn whether my cameras are black or chrome and what lens looks best with a burgundy neck strap. Thanks!!!! Chandos At 07:36 PM 7/22/01 -0700, you wrote: >Hi Chandos, >For what this it's worth and as you know, I'm always open for rebuttal. ;-) > >Some comments on the PAW 12 pictures, > >On an over all basis I like the exposure and light look of all the images, >no real problem with any of them. > >But what I do see that is obvious and it's illustrated in several frames and >that is, "You are not holding the camera correctly where you should!" Or at >least to say, the distortion is unwarranted as it doesn't add anything to >the frames. > >The tilting throws everything off as it drags the eye away from the content. > >The children's swing ride. I find the lady on the right chopped a bit too >tight where she might have added more depth to the frame rather than being >cut in half. > >The bar with glasses would have worked incredibly well if you were stopped >down and the glasses went crispy sharp from the right edge of frame right >through to the back, as this kind of art subject really lends itself to that >kind of "art picture sharpness" rather than the out of focus glasses which >in reality become an out of focus distraction > >Obviously it would've entailed tripod use to acquire the greater depth of >field to carry the sharpness to the background. If they were sharp, it >would've led the eye into the overall frame much better. > >The lady framed through other body parts doesn't do anything, as it isn't a >complete picture as she's cut off too tight with the overall feeling lost as >it becomes an exercise in exposure rather than a photograph with content. > >The two ladies with cameras would more than likely have been much stronger >if you'd bent your knees and gone for a lower angle. It also didn't help not >holding the camera horizontally and vertically correct. > >Those wide angle lenses are killers unless you handle them squared off >correctly. > >So there you go eh, I hope this isn't offensive, but that you find it >helpful as you have produced some wonderful imaginative images here in the >past. >ted > > > > > >Ted Grant Photography Limited >www.islandnet.com/~tedgrant >----- Original Message ----- >From: "Chandos Michael Brown" <cmbrow@wm.edu> >To: <leica@topica.com>; <streetphoto@topica.com>; ><leica-users@mejac.palo-alto.ca.us> >Sent: Sunday, July 22, 2001 12:31 PM >Subject: [Leica] New stuff redux > > > > Thanks for the feedback! I especially appreciate the technical comments > > about contrast, tone, etc. Monitors vary, so it's tough to know what > > anyone's *really* seeing, but I go back to the image in every case. >Again, > > thanks. > > > > Twelve black and white images are now up at: > > > > http://www.wm.edu/CAS/ASP/faculty/brown/photography/New/new.htm > > > > All comments welcome. > > > > Chandos > > Chandos Michael Brown > > History and American Studies > > College of William and Mary > > www.wm.edu/cas/asp/faculty/brown > > > > Chandos Michael Brown History and American Studies College of William and Mary www.wm.edu/cas/asp/faculty/brown