Archived posting to the Leica Users Group, 2001/07/17
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]It seems to me that it is boiling down to talent--something I am unlikely to acquire through any amount of practice. However, I'll try to implement the techniques you suggest and see if I can do better. One of the greatest disadvantages to using my M6 for street photography is that I often cannot focus and set exposure quickly enough to capture a shot. It is true that I probably worry too much about exact focus (at f/11 being an inch off isn't going to change anything, after all) and perhaps also about exposure (I scarcely need 1/3-stop accuracy for Tri-X), but the habit is hard to break. - ----- Original Message ----- From: "stephen holloway" <stephen.holloway@balcab.ch> To: <leica-users@mejac.palo-alto.ca.us> Sent: Tuesday, July 17, 2001 12:53 Subject: Re: [Leica] re: should i buy a noctilux? > Mxsmanic wrote: > > > > I'd very much like to know his secret for focusing accurately at f/1 in fast > > street photography. It scarcely seems possible, and yet his photos seem to > > prove that it is. > > > > There's no real secret: it's just a combination of techniques. > > - Lots of practice at snap focusing. With the Noctilux, there's no time > to rack the lens round from infinity, I place it a little ahead of the > expected subject distance so only a small twitch of the ring is > necessary. Don't twiddle with the focus if you think it's not quite > there, take the picture anyway. > > - If possible take more than one picture of a subject (sometimes a lot > more). If you're using a difficult technique you have to accept a lower > hit rate sometimes. > > - For things like the Fastnacht pictures where people are moving > predictably, I use a 'gating' technique. Preset the lens focus, put it > to your eye and let the subject walk into frame, hit the shutter when > the rangefinder lines up. You lose control over timing with this > technique, so take lots of pictures. If there's room, start walking > backwards in front of the subject, now you've got lots of timing control > - don't forget to look behind you every few seconds though! (Or get an > assistant). > > You've got to try and stay in control of the situation, exposure should > always be preset and rarely adjusted (use an incident meter or sunny 16 > rule). Street pictures normally build up fairly slowly in front of you > (over a few seconds), if you've got a clear idea of what the picture is > you can prepare the focus and be ready for it. > > Did I already say take the picture anyway? You can correct or forgive > gross errors in composition, exposure or focus; but if the timing's > wrong the picture is junk. > > -- > Stephen Holloway > http://www.deepturtle.com/steve/photos