Archived posting to the Leica Users Group, 2001/07/14
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]The first Leica lens I ever used was a Summitar. I was thrilled with it, although that was in the context of just getting started in photography and knowing next to nothing. When I acquired some (shaky) technical underpinnings, I found at least this sample to have been a decent performer at all but the wider apertures, but that was not a big issue with me because if I were using the lens at f2, it was usually at 1/10 sec. hand-held, necessary with the max EI 320 possible with films of the time. Deficiencies in sharpness and contrast were somewhat offset by increased shadow detail, a "benefit" under some lighting circumstances. I agree with Howard you'd be better off with an Elmar or a Summicron, a much better wide aperture performer, and I, too, had a high regard for the Summar, which had a character all its own. Our experiences seem to concide on these matter. Allen Zak In a message dated 07/14/2001 12:31:51 AM, you wrote: << I had a coated Summitar (50mm f/2, not to be confused with the 50mm f/1.5 Summarit) for a while. I wasn't impressed with it. The one I had didn't have that indefinable Leica look that we all know when we see it, and it had quite a bad tendency to flare, even with the barndoor shade on it. Maybe flare isn't the right word, but I was using it to take pictures around twilight one evening, as street lights were coming on, but with plenty of light from the sun left. There were lots of "ghost" images of the street lights in the pictures. Of the older lenses, I think the Elmar's probably the best. It doesn't have as much glass in it as the faster lenses, which is probably why even uncoated ones have pretty decent contrast and low flare. If you really need the two extra stops, why don't you spring for a Summicron? Frankly, I even prefer the Summar I have to the Summitar I got rid of, though Summars are almost universally despised. (The Summar does lose lots of contrast in any backlighted situation, though--be warned. However, they're dirt cheap because no one wants them.) Howard Sanner flagstad@mindspring.com >>