Archived posting to the Leica Users Group, 2001/07/10
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Kyle Cassidy (I think) wrote: . . .there are only two reasons why anybody gets a leica: 1) they're so good they can use it effectively in their work to produce images that endure for years 2) they make enough money at their day job to buy one and they want to impress other photographers they meet at national parks _________________________________________________________ Although I've bought (and sold, I'm sorry to say) several Leica outfits over the 33 years I've been in photography, none of the reasons for owning Leicas given so far fit me. I bought my current Leica and intend to stay with it because I want to become a better photographer. By most standards, I'm fairly accomplished. I've done advertising, corporate, editorial, travel, portrait and wedding photography, an award-winning book -- even baseball cards! Until video swept it away around 1990, I made most of my living shooting, writing, and producing slide-based audio-visual programs for businesses and non-profit groups. I began using the Canon EOS system in 1993, after 13 years with Olympus, and have found it an excellent working tool. It makes everything easy. Too easy. Too slick. The theme of an article by Carl Weese in the July, 1995 issue of Darkroom & Creative Camera Techniques (now Photo Techniques) kept working its way around in my gut: "It's better to be an auto-focus and auto-exposure photographer than to use an auto-focus and auto-exposure camera." As digital threatens to sweep the craft of photography into the the dustbin of history, I find myself drawn increasingly to the mechanical and chemical and away from the electronic. By the standards of many people, including, I hope, my clients, I'm a success as a photographer. By the standard given above, I have a long way to go. I believe my Leica will help me get there. Dave Jenkins