Archived posting to the Leica Users Group, 2001/05/03

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Subject: Re: [Leica] Which Ultra-Wide,now"movies"
From: Isaac Crawford <isaac@visi.net>
Date: Thu, 03 May 2001 17:10:35 -0400
References: <200105032030.f43KUa308178@sushi.toad.net>

Steve LeHuray wrote:
> 
> > Sonny,
> >
> >>>As far as the camera operator is concerned, it is
> > "Auto-Focus,"  An assistant handles focus, so the shooter
> > can watch the framing.  Auto focus couldn't work in
> > features, for example, when focus shifts back and forth
> > between two characters, both in frame, when each speaks.
> >
> > I'm anxious to see your pics!<<
> >
> > Thanks for the info. That's exactly the way it appeared. I'm always
> > impressed on the big screen by how cinematographers can jump from focus
> > point to focus point.
> 
> They are able to do that because of the AC (assistant cameraman or focus
> puller). Cinema is very precise where scences are marked out and rehearsed.
> The AC will be standing beside the camera and shift the focus on the lens,
> on cue, using preset marks which are placed on the lens, yellow gaffer tape.

	I'm always amazed at the focus puller's ability to follow focus on
moving targets. A good focus puller can make a career out of that
skill... They can use the gaffers tape on the actors marks, but not
everywhere in between.

Isaac
> 
> sl
> 
> >
> > I'll try and get the slides posted soon. Many suffer from the dreaded 15
> > Heliar "dark foreground" effect. Not severe, but they're going to be a
> > challenge to scan. Like I said, it was the first time I'd used my Heliar in
> > a while. The M6 metering  was fooled.
> >
> > Dave
> >

In reply to: Message from "Steve LeHuray" <icommag@toad.net> (Re: [Leica] Which Ultra-Wide,now"movies")