Archived posting to the Leica Users Group, 2001/01/14
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]They probably don't have a channel set up for it! If it is the Superia Reala, then the slopes are pretty consistant with the other Superia films. If it is the older Reala, and they they don't do much, they probably haven't set up a channel for it. And if they have Fuji machines more than a couple of years old, the machine defaults to the 'Master Channel'- Usually Fujicolor-G 100 if they haven't programmed a Reala channel or changed the master channel! - ----- Original Message ----- From: "Pascal" <cyberdog@attglobal.net> To: "LUG" <leica-users@mejac.palo-alto.ca.us> Sent: Sunday, January 14, 2001 11:14 AM Subject: Re: [Leica] Re: Superia Reala > On 14-01-2001 16:49, Dan Post wrote: > > >The Supra and Superia technology had a big > >influence on us in the lab as the films all had almost identical slopes for > >the color response of the films- even between different speeds. > > does that explain why labs have difficulty in printing the Reala film > correctly? > (since it has a different structure than the Superia and Kodak films?) > > Pascal > NO ARCHIVE > > --------- > Visit my Leica pages at http://members.nbci.com/cyberplace > --------- > <<< PGP public key available upon request >>> > >