Archived posting to the Leica Users Group, 2000/12/26
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]From: Henry Ambrose <henryambrose@home.com> wrote: > This is the only reason OOF areas (bokeh) matter. Positive > & negative, yin & yang, this & that - something to show > that some other area of the picture is sharp. If the > content of the picture is good it'll be a good picture, if > it's not it won't. > > Little circular donuts or harsh double lines won't detract > from a good photo. Let's get right to the chase - you PREFER > some look over another and now you have time on your hands > to contemplate each lens. Guess what - - they all have bokeh > and you have little control over it. > > Read Merklinger's article on it and learn lots about why it > works the way it does. > > Then give up! > And make pictures. > > :^) That about covers it, I'd say. As much as I like to yak about bokeh, usually in direct proportion to the degree of annoyance I detect from other people when the topic is broached <g>, when I've got a camera to my eye it's rarely among the things I'm thinking about. If the subject of the photo stands out then the out-of-focus areas are doing their job. (DOF is something I'm definitely thinking about.) If the out-of-focus areas are *meant* to draw attention...well, I'll let someone else build their career around blur. I'm just a happy snapper with the occasional artistic yen. :-) - -Dave-