Archived posting to the Leica Users Group, 2000/11/25
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Tony Salce <NadinaTony@bigpond.com> wrote (edited): > I use a Leica IIIa and a 50mm Summar. It's a wonderful camera > and lens. My photography is centred on family and travel. I > would shoot only say 40–50 rolls of film a year. I love black > and white and am tossing up whether to plunge into setting up > a darkroom. The cost of laboratory printed black and white is > exorbitant here in Australia and the results (in my view) are > average. > > Given the amount of shooting I do is it worth setting up a > darkroom or are the C41 films, TCN and XP2, the better way to > go? How do these films differ (apart from archival qualities) > from their more conventional counterparts in respect of the > final printed image? I don't see this as an either/or situation. Even when I had a darkroom I shot lots of Ilford XP1 and later XP2 simply because I liked it so much. XP2 Super is a wonderful film IMO, fine-grained and capable of capturing a longer tonal range than most if not all conventional B/W films. Overexposed a stop you get even finer grain with almost no loss in sharpness. Its drawbacks compared to silver-based B/W are poorer longevity and lack of development tweakability. I don't consider the latter much of a drawback, though...the film has tremendous latitude and since I'm scanning the negatives I've got all the digital tweakability I could ever want. :-) I plan to install a darkroom in my current home next year but I imagine that rather than using XP2 Super less I'll probably just use more film in general. Which is a good argument actually for setting up a darkroom...assuming you enjoy (or at least don't dislike) the development and printing processes you'll almost certainly end up taking more pictures. - -Dave-