Archived posting to the Leica Users Group, 2000/11/18
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Guy Bennett wrote: (Eggleston's pictures were) "so crummy that they garnered him a one-man show at moma in new york, they continue to be exhibited in major museums and galleries around the world, and they earned him the hasselblad award. but then again, maybe you're right about him and the rest of the world has simply misunderstood." Eggleston was the first color photographer to have a one-man show at the MOMA, which has more to do with a philosophical point that curator John Szarcowski wanted to make that with Eggleston's pictures. The pictures themselves are about emptiness and nothingness and meaninglessness, perfect illustrations for an emerging post-modernism. Other honors have accumulated in a follow-the-leader procession. I remember Burt Glinn being absolutely aghast that someone like Eggleston should receive such honor while genuinely great color photographers such as Ernest Haas were passed over. Poor Haas...he believed in meaning in photography. Eggleston is the darling of the art world, but he has hardly been so revered by the "rest of the world," who have not "misunderstood" at all. It doesn't take long to see that the emperor has no clothes. Nobody finds much meaning in Eggleston's photos unless they have already accepted the philosophy that meaninglessness is somehow laden with meaning. Dave Jenkins.