Archived posting to the Leica Users Group, 2000/11/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Simon <michael@scoates.freeserve.co.uk> wrote (edited): > I started photography ten years ago with a little Minolta > FS-E2 compact camera, and was dissapointed with my > landscape results - the background was always too dark, > and the sky always washed out. The answer: an SLR with a > grey graduate! I changed my camera for a Minolta 7000 and > using print film, the same thing happened! So - I changed > to slide film and finally got the perfectly exposed > landscapes with a correct sky. I don't use filters for > special effects - just to get an image on film that I saw > with my eyes. Heck, I never use a flashgun - I would rather > expose for 2 minutes using natural daylight for my macro > shots rather than rely on a nasty blitz of fake light! > (Must invest in that Noctilux and an M6...) > > I now use a Leica SLR system and have continued to use my > Cokin filters (2 blue and grey graduates, and a polariser). > How else can you get landscapes to look right? How do other > LUGgers manage, especially those of use who use an M6, where > you can't see the effect of the graduation? > > Incidentally, I don't have a protection filter on the front > of my lenses. I also use grad filters with transparency film when I want to control the sky or just make it more dramatic. I get around the problem of not being able to see the effect with an M camera by using my SLRs (a Leicaflex SL2 or Pentax KX) instead. :-) With my M2, using B/W film, I'm partial to a #8 yellow or #16 orange filter for taming the sky and/or punching up contrast. I'll sometimes use a #29 red if the sky is hazy, and with IR film it's my filter of choice. FWIW I only use filters as lens protection when I'm in an environment that could muck up the front element, like at the beach on a windy day or out in the desert. Otherwise I just try to be careful. But my opinion on the matter: do as you wish. - -Dave-