Archived posting to the Leica Users Group, 2000/11/09
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]At 09:20 AM 11/9/00 -0800, Jim wrote: >there is only one way to "grade" a camera system >"precisely." And that is to live with it as a working system. I couldn't agree more. Although systems are like wives or husbands (not that I'm married, remember): you have to make a leap of faith at first, because you won't really know who you're married to until years after the decision. (This is how Rabbi Fackenheim, a famous existentialist, explained Kierkegaard to first-year students.) That first decision will never be scientific. I prefer to lean on the judgment of professionals in the field rather than most magazines, as that gets me a little closer to science. In general, I've found that "cult" equipment has worked out for me best in the long run: the original Hexar, the Ricoh GR-1, the Xenar-based Rollei TLR, the Canon LTM 50/1.4. I found out about the first two on Usenet, where they were gathering a devoted following; the third (which goes against popular wisdom), from European connoisseurs who prefer Schneider to Zeiss, and Xenars to Xenotars; the last from Deschert and Sherry. I bought all of them untried, but after consulting serious opinions. I like Mike's approach to lens evaluation, simply because it defines a new aesthetic category, and one that appeals to me: the Japanese obsession with the out-of-focus. Architect friends of mine are working on a "blur" building -- a building enshrouded in fog -- and I explained the concept of bokeh to them as a way to make theoretical sense of their project. Still, you're right: the final proof is in years of personal experience. I've only had that with Rollei TLR's and the Hexar, neither of which are system beasts. DC