Archived posting to the Leica Users Group, 2000/11/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>>>>> Date: Thu, 02 Nov 2000 21:34:50 -0800 From: John Gong <jgong@cisco.com> Subject: [Leica] Re: What's wrong with the 24? Message-ID: <B6278E7A.8A8%jgong@cisco.com> References: Javier, I don't think the lens is so bad, however I have owned and sold two of these lenses... After selling my second one out of frustration with poor results (less than sharp), I recently spent more time looking over photos taken with them. Turns out that I was misfocussing very often. The point of focus was usually quite sharp, but not necessarily the subject I wanted. I find that using the matte screen with grid lines, which is very useful for architectural subjects, is more difficult to focus wide angle lenses than with the standard microprism/split image. Net result - I don't plan to purchase another 24-R. Besides being difficult to focus on my favored screen, it is kind of bulky. The big front element and irritating filter size just make it inconvenient. I get more consistently sharp results using an M6/24 ASPH combo, and the setup is very compact. John <<<<< The focussing problem was the one got me too. In fact it was what made me change over to the M system. Seems strange that it's harder to focus wide-angles, probably this problem goes away when you get to 19 mm or so, due to DOF. The DOF of a 24 close up is not so great in practical situations as it might seem from the lens barrel markings. As to optical quality, I can see the difference between the M and R 24's. The M lens is a stunning companion for the 35/1.4 asph - as I will never tire of saying (every so often). It seems to _cut_ outlines and detail into the emulsion. Amazing and wonderful. I just bought a 50/2 M, latest computation, it'll be interesting to see how this rather elderly lens (twenty or so years old, am I right?) stands up beside the two asphs. The other two definitely have a common "look" - maybe what Erwin means when he talks about "fingerprint". I had thought of one day getting the new 90/2, but that day is far off! Too much money for not enough use! Whereas the 50 should make a nice complement to the 24. To sum up, nothing is wrong really with the R - a wonderful focal length and a very nice lens - but once you've tried the M version the R won't satisfy you any more. The beauty of the 24 length is that you can accentuate the wide-angle-ness of it at will - sometimes it looks like a 35, sometimes like a 21. I don't think other focal lengths have this versatility. Maybe you've got the message by now - I love the 24. Rob.