Archived posting to the Leica Users Group, 2000/10/17
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]It is undeniably true, that one needs some time to get acquainted with a film (or paper r camera). The amount of time you have to invest to master the intricacies of a product (film, paper, developer) are often exaggerated.Working photographers are very conservative and once they have adjusted to a film (paper etc), they are extemely reluctant to try something else. Kodak has several slide films in the product line, which are technically obsolete, but still selling very well, because studio photographers are intimately tuned to these films. I am an advocate of using as many films or papers as possible. Every film has its fingerprint that gives additional flavor and expression to a photograph. I compare it to a painters palette, who also experiments with his material and uses several techniques to express what is necessary. I find it part of the photographer's lore to insist that one needs to spend a long time and much effort to learn a film. Emulsions just are not so typical. When one employs a standardised set of tests, it is possible to get to know a material in a few days. To fine tune this product to the scenes one is accustomed to photograph, even the difficult ones, takes a few weeks, a few months at most. If one has a standardised set of techniques for making pictures, it is easy to fit a film into this. If a new film., like the new 400D, comes along, one can adjust to its characteristics very easily. Photography is not that difficult! Erwin