Archived posting to the Leica Users Group, 2000/10/05
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I think Gary Todoroff got it just right - or to put it the way my wife does: what separates men from boys is the size of their toys. As a boy, and well before I could afford a Leica, I memorized the whole Leica catalogue and could tell you exactly what adaptor (serial number and deliciously arcane code name) to use with every lens. I relish the link with my past every time I trip the Leica shutter. Converts can be made too. I was caught using (ie playing with) the 65mm Elmar on a SL2. Not mated to 14167 via 16464 OTZFO as some might do, but with Focusing Bellows II. Yes it does focus on infinity but it is a truly clumsy combination. I was expecting mockery. Instead: "Now that is cool" said my 19-year old and he really wanted to know the why's and wherefore's. As he appreciated the precision of the Leica gears on the 32 y/o bellows, and my enjoyment of them, I think he began to realize that things like these help keep men sane in the modern world. I hope so. Regards. > >From: "Gary Todoroff" <datamaster@humboldt1.com> >Subject: [Leica] Re: Visoflex v SL > >Working with a Visoflex satisfies that latent urge for playing with >erector-sets, tinker-toys and legos (pick your generation). Pieces mate with >the precision of the bolt in a Remington 40X target rifle. Adapters, >extensions, bellows and hoods provide even more variety than plate blocks, >first day covers, and pre-cancellations. Just contemplating whether to use >the OTVXO or OTXBO magnifier for a close-up or still-life starts the session >with thoughts of precision and creativity. >Assemble the pieces and a simple M6 becomes the heart of a living apparatus >tied to the subject through a wonderfully bright finder and to your hand >with a perfectly adjusted double cable release. Focus precisely on the >uncluttered ground glass. Stop down for a depth of field preview, still >bright and clear. Just a slight touch on the lever locks the mirror up with >a most satisfying sound. Check the meter diodes for exposure, ignoring the >view in the rangefinder but knowing that the M6 sees the picture through the >precise gear and lens out front. >When finally the shutter releases with that faint click, you know that the >only thing moving are some photons a few silver ions.