Archived posting to the Leica Users Group, 2000/09/24
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]luggers, reading tim rudman's 'the photographer's master printing course,' i've come up with a couple of questions and was wondering if any of you b&w printer could help me out. the first concerns conceiving of printing time increments as f-stops rather than numbers of seconds, the idea being that - if i understand him correctly - should you later wish to reprint in a different size, you don't have to recalculate your various burning in/dodging times, you just use new 'f-stop' increments based on your initial printing time. he mentions that there are f-stop timers available, but that they are very expensive, and so he includes tables with initial print times and increases and decreases of time in f-stops for those of us who do not have an f-stop timer. my question is: do any of you use a timer that works in f-stops? how do you like it? do any of you use this system with a 'normal' timer? is it worth the bother? the next question is related, and it concerns the extrapolation of new printing times when making another, different-size print of a given negative. he offers the following equation for making the calculation: t2 = t1 x (w2/w1)2 [i.e. squared], where t2 = new initial exposure, w2 = new print width, t1 = initial time of the original print, w1 = width of the original print. my question: do any of you use this, or any other system to extrapolate new print times for enlargements? is such a system reliable, given the variables involved (different batch of paper/new chemicals/etc.)? thanks in advance for your comments and suggestions. guy