Archived posting to the Leica Users Group, 2000/09/10
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Erwin wrote: >Marshall Mc Luhan was right about it: the medium is the message. Wow, i'm catching up on 3 days of Leica posts and find mention of two of my favourite critics! Sontag isn't going to change the way you make images, but she will allow you to rethink how they can be interpreted, in the same way that Roland Barthes' 'Image, Music, Text' will (Sontag owes him big-time for this work). I'm currently working with both McLuhan and Sontag for my thesis, and after that i'll be writing a lot about McLuhan for publication (hopefully). McLuhan has some great things to say about photography, especially the use of images and politics and what they're capable of meaning over the years. One of his best observations about photographs in 'Understanding Media' is in the context of the cold war. Having the image of being the first to the moon is a far greater political tool than necessarily having done it. This context in recent news. Late 60's (?) images of Russian ICBM's being paraded in Red Square which then gets televised internationally. The fact is that USSR technology at the time wasn't quite up to speed and the missiles were fabrications to make the international media/politicians etc. believe the USSR was capable of nuclear strike. Not only this, but instead of making governments look after social services etc. it helped create an arms race whereby governments increased military funding, and increased social discontent. Needless to say, not only did the images work, but they kept the effectiveness of them quiet until earlier this year. I think that's quite cool. Ahhh, history, my wanton mistress.... :-) Take care, Gary - -- "The difficulty now is that unexceptional adults believe the loss of youthful dreaming is itself "growing up," as though adulthood were the passive conclusion to a doomed activity and hope during adolescence." OO The Uses of Disorder [_]<| Personal Identity and City Life -- Richard Sennett /|\ Gary Elshaw Post-Grad Film Student Victoria University New Zealand http://elshaw.tripod.com/