Archived posting to the Leica Users Group, 2000/08/28
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]It always amazes me how various people look at photos and intuit completely different things from them. Unlike John, what struck me was the simplicity and directness of the photos, and how comfortable I thought the young lady looked - given the subject of the pictures. I'd hate to start second-guessing kyle's decisions here - he knows her and knows a lot more about her situation than we do. Of course the circumstances are fraught with possibilities, but if we refrain from shooting whenever we might affect our subjects - for good or ill - we will be paralyzed. Photographers in war zones face this potential every day, and the unforseeable consequences of their actions are put in perspective against the value of the story they bring back. I think the story kyle is onto here has the same kind of value, and warrants the same kind of risk. Given, of course, that he has the young lady's committment to the project and its message (whatever that may turn out to be). Maybe this is an overblown analysis, based as it is on a dozen essentially unedited pictures on the web, with no explicit statement of intention from the artist. I still think that this game is worth the candle, and more power to kyle for having the courage to begin. Paul > -----Original Message----- > From: John Collier [mailto:jbcollier@home.com] > Sent: Monday, August 28, 2000 5:55 PM > To: leica-users@mejac.palo-alto.ca.us > Subject: Re: [Leica] kyle's lost his @#$@#$! mind - week 35 > > > I think I agree with MEM on this one. I would at least consult a > psychologist to see what effect your photography might on > her/them. From > your message, I can see you have a very strong connection to > the subject > matter but your pictures are not showing that at all. She > does not seem to > be comfortable with you there and everything looks stilted > and posed. Maybe > you should hang out for a week or so with no camera. > > John Collier