Archived posting to the Leica Users Group, 2000/08/23

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Subject: Re: [Leica] Why Minolta?
From: telyt560@cswebmail.com
Date: 23 Aug 2000 14:25:32 -0700

On Wed, 23 August 2000, "Simon Coates" wrote:

> 
> I would like to add my input to the above thread.
> 
> I very recently changed from Minolta AF to Leica R, and purchased the
> 28/2.8, 50/2 and 100/2.8 APO.  I have the Minolta 28/2.8 and 50/1.7 so was
> able to test these lenses directly against each other.
> 
> I stuck a two-page newspaper spread on a wall and took pictures of it with
> both cameras tripod-mounted at all apertures, which although would not give
> me lpm figures, showed how the lenses resolved fine text.  My conclusions:
> 
> 50mm lenses
> The Leica Summicron at the centre at f/2 (its' 'worst' aperture) was sharper
> than the Minolta at any aperture.  In the edges the Summicron was far
> sharper.  I have read tests on the Minolta 1.7 and 1.4 lenses and the 1.7 is
> supposed to be a better performer...
> 
> 28mm lenses
> My Elmarit is the latest version, and in case you are wondering has a razor
> sharp performance.  At f/2.8 it almost outperforms the Minolta at any
> aperture.  From f/4 it is clearly sharper than the Minolta at any aperture.
> The Minolta has quite severe vignetting at f2.8 and f/4.  The Elmarit has
> only slight vignetting fully open, which disappears by f/3.5.
> 
> Overall, the Leica lenses are far sharper than the Minoltas.  Of course,
> lens sharpness is only one measure of performance.  I have used 'el cheapo'
> Jessops ISO 200 print film in the Leica and comparing the prints to the
> Minolta with Fuji Reala 100, the Leicas show far better colour saturation; I
> usually use Velvia with the same result.  The 100 apo has amazing colour
> saturation!
> 

When asked why I use Leica R, this is what I mean when I say "it's the glass".  It has to be seen to be believed.

Doug Herr
Birdman of Sacramento
http://ourworld.compuserve.com/homepages/telyt
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