Archived posting to the Leica Users Group, 2000/08/06
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]first of all any lens with the label 50mmf1.5 canon is coated. 1/2 a century ago there were recommendatons to get uncoated 50mf1.5 sonnars for portraits. it was said they put more details in shadows. aside from the fact that 85f2 sonnar would be the logial choice for portraits, any claim of more density overall intrigued me. elaborate tests revealed signifcantly more meat everywhere including the shadows with the coated lens. the lower contrast of the uncoated model only gave an illusion of more detail. that absence of coating adds a magic fill-in is crap as light transmision is significantly less overall.also many of the best portraits are against the light and here the uncoated lens is pathetic. not in theory or practice can uncoated pass as much light, scattered or not as coated period. i still have both an original uncoated and final gem from stuttart. i could repeat the tests but why bother now? then my living then depended on shooting stage performances with the best possible definition in highlight and shadow. how good is a sonnar? at a time 35mm was scorned by the newspapers a producer friend said the nytimes needed shots of the male animal w/robert preston. i bought a ticket and shot a roll with the contax 11 ,printed 6 8x10's and sent them over. that sunday the top half of the front page in the arts and leisure section matched 3 of those 6 shots to 3 thurber cartoons. all were my pictures but at bottom right they credited two other photographers as well. when i called the editor she said they submitted pictures too. hardly a year goes by i dont think about murder. how far have we really come if killing an editor is still a crime? ralph