Archived posting to the Leica Users Group, 2000/07/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Amazing stuff Dan, You are a heretic in that in the year 2000, you have chosen as your first endeavor into the second half of photography, to use a very old, outdated process, in a strange, isolated, smelly very dark room. Please tell us why you picked this old fashioned, wet, smelly method over the more modern, comfort of a nice desk chair, lights on, no clean-up, can fix anything wrong with your original, digital method? Jim (wondering what's going on here ;-) ) Brick At 10:01 PM 7/30/00 -0400, Dan Honemann wrote: >Gang, > >My first ever photography class (just a weekend seminar, but lots of >hands-on experience) has come to an end, and boy was it ever an eye-opener. > >First and foremost, to all those of you who encouraged me to learn this end >of the process, thank you! And you were absolutely right. It has already >begun to shift my perspective in taking photos. > >It has also revealed that half--if not more--of the art of photography lies >in processing and printing. It's simply unbelievable how much variance and >flexibility there is in printing the same negative. And, having said that, >it's also clear just how important it is to capture as much information on >that little negative as possible at the time of exposure. > >These fledgling experiments with processing my own negatives and printing a >few 6 1/2 x 9 1/2's have already proven how much better I can do than any >lab--even the so-called pro labs--as I'm the one who visualized the photo >when I shot it. If I depend upon a lab to do the printing, I get someone >else's visualization. > >Finally, I've learned that this end of the equation is as much fun as the >other; time seems to evaporate in the darkroom the same way it does when I'm >street shooting. There is no one shooting or printing, no subject being >photographed and no photograph being created--there is just the seeing and >the expressing, the emerging images--of life, beauty, art--call it what you >will. > >I'll call it joy. > >Dan >